top of page

Demystifying Theatre Performance Licensing: Your Guide to Public Performance Rights

Let’s be honest. When I first dipped my toes into the world of theatre and music, the whole licensing thing felt like a giant, confusing maze. You know the feeling: you want to share your art, but suddenly there’s this whole legal jungle about who owns what, who can perform what, and whether you need permission. It’s enough to make anyone’s head spin. But here’s the good news: it doesn’t have to be that way. Today, I’m going to walk you through the ins and outs of theatre performance licensing, especially focusing on that mysterious creature called public performance rights.


Grab your coffee (or tea, or whatever fuels your creative fire), and let’s get into it.


Theatre Performance Licensing: What’s the Deal?


Okay, so you’ve got a killer script or a banging playlist, and you want to perform it live. Maybe it’s a play you wrote, or a cover song you love. But before you hit the stage, you need to understand theatre performance licensing.


Simply put, theatre performance licensing is the legal permission you need to perform a play, musical, or any scripted work in front of an audience. It’s like getting a backstage pass, but for your performance. Without it, you could be stepping on some serious legal toes.


Why does this matter? Because most plays and musicals are protected by copyright. That means the playwright or the rights holder controls how and where their work is performed. If you want to put on a show, you need their blessing - and that blessing usually comes in the form of a license.


Here’s a quick breakdown of what theatre performance licensing covers:


  • Rights to perform the script: You can’t just pick up a published play and perform it without permission.

  • Number of performances: Licenses often specify how many times you can perform the work.

  • Venue size and type: Some licenses limit where you can perform, like small community theaters versus big commercial venues.

  • Duration: Licenses might be valid for a specific period.


Getting this license is usually straightforward. You contact the rights holder or a licensing agency, explain your plans, and they’ll tell you what you need to do. Sometimes there’s a fee, sometimes it’s free (especially for educational or nonprofit groups), but either way, it’s essential to get it right.


Eye-level view of a theatre stage with empty seats
Empty theatre stage ready for performance

What is an example of a public performance?


Now, you might be wondering, “What exactly counts as a public performance?” Great question! This is where things get interesting because the definition can be broader than you think.


A public performance is any performance of a copyrighted work that is open to the public or a substantial number of people outside a normal circle of family and friends. So, if you’re performing a play or music in front of an audience that you didn’t personally invite (or that’s bigger than your immediate circle), you’re likely doing a public performance.


Here are some examples:


  • A community theatre group performing a Shakespeare play at a local venue.

  • A band playing cover songs at a bar or festival.

  • A school putting on a musical for parents and the public.

  • An indie artist performing original songs at an underground venue.


Even streaming a performance online can count as a public performance if it’s accessible to the public.


Why does this matter? Because public performances require permission from the rights holders. That’s where those public performance rights come into play. Without securing these rights, you could be infringing on copyright law, which is a big no-no.


How to Secure Theatre Performance Licensing Without Losing Your Mind


Alright, so you know you need a license. But how do you actually get one without pulling your hair out? Here’s my tried-and-true approach:


  1. Identify the rights holder: This could be the playwright, publisher, or a licensing agency. Websites like Dramatists Play Service or Samuel French are great places to start.

  2. Reach out early: Don’t wait until the week before your show. Licensing can take time, especially if you’re dealing with popular works.

  3. Be clear about your plans: How many performances? What venue? Ticket prices? The more info you provide, the smoother the process.

  4. Ask about fees and restrictions: Some licenses are free for nonprofits or schools, but commercial productions usually pay a fee.

  5. Get it in writing: Always have a formal license agreement. Verbal promises won’t protect you.

  6. Keep records: Save all correspondence and contracts. You never know when you might need them.


If you’re feeling overwhelmed, don’t hesitate to ask for help. I’ve found that connecting with others in the community or consulting professionals who specialize in licensing can save you a ton of headaches.


Close-up view of a contract document with a pen on top
Contract document ready for signature

Why Public Performance Rights Matter More Than You Think


Here’s a little secret: understanding and respecting public performance rights isn’t just about avoiding legal trouble. It’s about honoring the creative work that artists pour their hearts into. When you secure these rights, you’re supporting the ecosystem that allows playwrights, composers, and performers to keep creating.


Plus, it opens doors. When you’re legit, you can:


  • Access a wider range of scripts and music.

  • Build relationships with rights holders and publishers.

  • Apply for grants and funding (many require proof of licensing).

  • Protect your own work when you become a creator.


Think of it as a circle of respect and support. You get to share amazing work, and the creators get recognized and compensated. Win-win.


Tips for Emerging Artists Navigating Licensing


If you’re just starting out, licensing might feel like a mountain too steep to climb. But trust me, it’s doable. Here are some practical tips:


  • Start small: Look for plays or music with open licenses or those in the public domain (hello, Shakespeare!).

  • Join a community: Groups like local theatre collectives or online forums can offer advice and share resources.

  • Budget for licensing: Include licensing fees in your project budget from the get-go.

  • Educate yourself: There are tons of free resources online about copyright and licensing.

  • Consider original work: Writing your own scripts or composing your own music gives you full control (and no licensing headaches).


Remember, every big artist started somewhere. Licensing is just part of the journey.


Let’s Keep the Art Alive and Legal


So, there you have it. A friendly, no-nonsense guide to theatre performance licensing and why those public performance rights matter. It’s not just legal mumbo jumbo; it’s the foundation that keeps our creative world spinning.


Next time you’re planning a show or a gig, take a moment to check your licensing. It might seem like a hassle, but it’s a small price to pay for the joy of sharing your art with the world - and doing it right.


If you want to dive deeper or need practical support with licensing, grant writing, or just navigating the creative maze, don’t hesitate to reach out. After all, we’re all in this together, making art that connects us to ourselves and each other.


Keep creating, keep dreaming, and keep performing legally and proudly!


Stay educated,

Alexia

 
 

Thanks for subscribing!

Wanna stay in the know?

bottom of page